Monday
OBERHOFER
WAKA FLOCKA FLAME x THE HOOD INTERNET
YELAWOLF x RITTZ
HD videos of performances in clothing stores are becoming
JOGGER
Sunday
TERROR DANJAH
The king of Grime puts to rest "dubstep" and explains how Europe was always ahead of the game.
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Saturday
Friday
LUNICE - IGLOOFEST PODCAST
Thursday
FAM-LAY
New track from Fam-Lay, who's signed to Pharrell's label Star Trak.
To further the Skateboard P connection, we've got some Neptunes production
that would sound just as nice with an old T.I. rapping over it (old as in younger).
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But Fam-Lay does a great job with this one and holds his own
overtop that minimal sound that Neptunes are known for.
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Also awesome: Pusha T is just sitting around in the background the whole time.
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Wednesday
BIG K.R.I.T.
GHOSTFACE KILLAH
Tuesday
PLAYBOY TRE
Saturday
LEXUS LEWIS aka LEX LUGER
Footage of SLUM VILLAGE
Thursday
Wednesday
RUELZ REKKA
Tuesday
LIL B
THE JEALOUS GUYS x LUNICE
Monday
Sunday
GALAPAGOOSE
NATURE'S KID
Fellow follower of all things Based God,
Nature's Kid was featured on Flashlight Tag's Open Minds compilation,
which I posted a little while ago featuring a ton of great hip-hop reinventions.
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You can find lots of his stuff on his bandcamp and below is a very pretty video
of his track, "She Doesn't Know Who I Am" which matches overwhelming visuals of Earth
with repetitive, building rhythms and the crazy use of a line from that Wheatus song.
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JONWAYNE
Friday
QUERKUS @ GUS' PUB | JAN. 20 | DAVID LYNCH'S BIRTHDAY PARTY
I was introduced to Querkus in the context of David Lynch, and his every little mystical creation
that has gone from his brain to a film camera, a piece of paper, or more recently, a synthesizer.
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The downtempo / visual duo have been making their way on tour from Winnipeg
over the past week and on Thursday, Jan. 20, they'll be landing at Gus' Pub
to perform and help the Maritimes celebrate film director David Lynch's 65th birthday.
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Five years ago the band held a grand party for the director's 60th birthday, which Lynch himself endorsed.
It does make sense though that these two stars have aligned more than once.
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In Lynch's films, from Eraserhead to Inland Empire, he's been able to evoke the rawest emotions
in his audience, which are only empowered by his obscure way of presenting image and sound together.
The latter is something vital to surreal directors like him or Takashi Miike (at his strangest),
and Querkus comes off at times like the ideal composers for these great films.
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The Winnipeg duo manage to be visual in the way that The Smashing Pumpkins were to me when I was around 13 or 14. Visual music can take you away, evoke an image (sometimes many), and if it's great, like some of Querkus' tracks are, leave you stranded in that place even after the music has finished.
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If you're in Halifax on the 20th and find yourself in the mood for a beer and some ethereal rock,
take a trip down Mulholland Dr. -- not literally. You can find Gus' Pub here.
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And don't forget, in heaven everything is fine.
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LUNICE
Thursday
BLACK AMERICA SINGS BOB DYLAN
I've tried and tried.
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I tried when I was young and my dad was trying to play his acoustic songs.
I tried in junior high when people were trying to learn Jimi's take on his song.
I tried in my first year of college when it was damn near expected of you to like him.
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But no, I'll never be able to call myself a Bob Dylan fan.
I can say however that I really enjoy these covers!
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They're all from How Many Roads - Black America Sings Bob Dylan, which is a pretty self-explanatory album.
Here are three of the highlight tracks from it.
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Major Harris, "Like A Rolling Stone" (MP3)